Great Les Mis%C3%A9rables From Stage Screen
This 'review' is really a tribute to Mr. Lima. His performance alone makes the recording a treasure. He once said in an interview that he did not really like the role. For not liking it, he certainly is persuasive in performing it. Throughout the range of emotions: vulnerability, near madness, sorrow and renunciation, he remains believable. Unfortunately, not so his part ner, Mr. Zancanaro, who sings Posa beautifully. But he has the annoying habit of using hand gestures to underline every music al phrase thus reminding the audience that he is 'performing'. In Posa's death scene he places his hands on Carlo's shoulders and I was hoping he would keep them there. But no such luck. The other roles, especially Mr. LLoyd as Philippo, are all vocally and dramatically convincing. It's futile to lament the fact that not all looked like the 'ideal' we might wish for.
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Does anyone know what are the things Victor Hugo's trying to say through the character Cosette? You know, like social comments? We're reading this book for school right now and I absolutely just fell in love with it...but I still gotta answer this question as a presentation so I'm hoping to get some ideas:) Thanks a lot!!
ReplyDeletehe was replaced by michael crawford in a pretty underhand way!
ReplyDeleteI need help on ideas for writing vignettes on how a women looks upon her future through a mirror including the literary movement 'realism' in it. In other words, write a vignette using realism in it. Thanks in advance.
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