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I DON'T HEAR THE MUSIC

I'm Happy after buyingThis Margin Call Kevin Spacey

Margin Call Kevin Spacey

One of the great themes of modern literature and film is the banality of evil. The casual, gradual descent of ordinary workaday life into increasingly unethical, socially destructive behavior, often without our being aware of it. So that when we finally realize it, it's too late; we're trapped. The small, routine, mundane lies we tell each other in the course of our jobs, to get ahead in business, to get the edge; to succeed, to win, can eventually add up to enormous consequences, as they do here. In an ethically bankrupt system, fudging the truth can seem necessary, because not to might put one at a disadvantage. And so deceit becomes invisible, accepted, habitual. Everybody does it because everybody does it. And before we know it, we're the bad guys.

Like GLENGARRY GLEN ROSS, MARGIN CALL is a brilliant, unsettling look at the modern business environment, where the pressure to succeed damages not just the social fabric, but ourselves as well. Lying to each other is bad enough, but lying to ourselves is worse. In a system that rewards ruthlessness and punishes integrity, sociopaths rise to the top.

There are no guns in this movie, no car explosions, no chase scenes, no digital FX, but MARGIN CALL is as dark, brutal and white-knuckle a portrait of evil as you're ever likely to see. The increasing sense of impending disaster is palpable, especially since you know where it's all headed. The characters are complex, finely-drawn and very human. And though no one is redeemed, they seem strangely sympathetic since we identify with (and pity) them, like hapless rats lost in a maze. As Jeremy Irons' character puts it, "We can't help ourselves." In the end, all are caught in their own traps, selling each other down the river because, as Kevin Spacey's character says, "I just need the money."

But despite its grim subject, MARGIN CALL is too gripping to be depressing. And watching villains rationalize and justify themselves is always fascinating. It holds up a disturbing mirror to capitalism, so naturally some people won't like it. But it's a riveting, nuanced morality tale, told largely between the lines, and for those who grasp the larger implications, it is far more chilling than any action/thriller or horror movie.

These Wall Street vampires are real.

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Ditulis oleh: Jack Thompson - Friday, February 15, 2013

5 komentar untuk "I DON'T HEAR THE MUSIC"

  1. Frankly I thought the ending was weak. I wanted to see more drama and all I got was Kevin Spacey burying his dog. I didn't get it. They caused the largest recession in 30 years and all Kevin Spacey can do is bury his dog? Someone explain this to me.

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  2. Recently watched Up in the Air (w/George Clooney) and The Company Men (w/Ben Affleck, Tommy Lee Jones, Kevin Costner) and was looking for any further ones. Only other ones I can think of that I have seen are Boiler Room and Glengarry Glen Ross, any suggestions??

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  3. Hello! Do have some good indie films in mind, also, why do you like them?

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  4. What made the company lose lots of money? Peter said something about spending a lot of time on layering the products or something??

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  5. What is the significance of Kevin Spacey burying his dog on the lawn of his divorced wife's home?

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